Robert Lloyd has been a Los Angeles Times television critic since 2003. Previously, he held that position at L.A. Weekly, whose music editor and critic he also was for some years, and was the author of the Today column at the late Los Angeles Herald-Examiner. His oral history of ¡°Freaks & Geeks¡± appeared in the January 2013 issue of Vanity Fair. Sometimes, usually after dark, he masquerades as a musician (credits available on request).
Latest From This Author
Loosely based on the true story of the Great Canadian Maple Syrup Heist, this Prime Video series, led by Margo Martindale, is a dark comedy akin to ¡®Fargo.¡¯
Led by Keira Knightley, Sarah Lancashire and Ben Whishaw, this London-set Christmastime thriller is full of feelings.
In a year filled with quality series, these subjective choices indicate that great TV shows keep being made, even if the industry is in a bit of slump, our television critic says.
Three new thriller series, ¡®Get Millie Black¡¯ on HBO, ¡®The Madness¡¯ on Netflix and ¡®The Agency¡¯ on Showtime, promise to deliver action and suspense.
In a special edition of Screen Gab, the entertainment experts at The Times reveal what films and TV shows they plan to catch up on over the holiday weekend.
The latest Disney+ documentary on the Beatles, premiering Friday, repurposes footage shot by Albert and David Maysles and focuses on the band¡¯s first trip to America.
In Screen Gab No. 158, Mike Schur reveals the relationship that received the most attention from the writers of ¡®A Man on the Inside,¡¯ plus streaming recommendations for your weekend.
Santa is an evergreen staple this holiday season, and expect a plethora of variety specials from the likes of Sabrina Carpenter, Nate Bargatze, Jimmy Fallon and Motown legends.
The 76-year-old actor leads a cast of septuagenarian stars as a retired professor who takes on a job going undercover at a retirement community.
The main, and most interesting characters, in HBO¡¯s space opera are Valya Harkonnen, played by Emily Watson, and her sister Tula, played by Olivia Williams.